In this weekend’s issue, the weight and weightlessness of materials and emotions are explored in reviews by Natalie Haddad, John Yau, Megan Liberty, Mengyun Han, and Gregory Volk.
Looking back over the COVID year, Yau writes of the ways that Katherine Bradford’s new paintings convey the disconnectedness, vulnerability, and helplessness of that time, while Haddad, discussing the parabolic sculptures of the California Light and Space artist Fred Eversley, looks upon the rationalism of “Eversley’s elegant, jewel-like sculptures, as especially welcome, essential even, in times of unrest.”
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